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Sumo 19SE

HK$ 1000.00 / 日
 
 

Atomos SUMO19 SE Overview

 
Intuitive Interface
The Sumo 19" SE can record in ProRes RAW and 8-bit+FRC 422 ProRes/DNxHR encoding formats. RAW, Log, PQ, and HLG outputs from various cameras or gaming consoles can be processed by the device and mapped to display 10+ stops of dynamic range HDR in real time. This makes the Sumo 19" SE ideal for monitoring in the field by the director or client. Two XLR inputs with +48V phantom power support balanced audio recording with external devices. Included desktop feet, mounting supplies, and various power supply options allow you to easily integrate the Sumo 19" SE into your studio setup.
SE Upgrades and Features
  • Upgraded 19" IPS display with 1200 cd/m² brightness (±10%)
  • Live, quad-channel HD switching and recording
  • Supports recording in ProRes RAW and 10-bit 422 ProRes/DNxHR
  • HDMI 2.0 and quad-SDI support genlock and LTC timecode
  • Works in HLG and PQ formats of HDR
Live Quad-Channel HD Switching and Recording
  • Record four streams simultaneously as separate ISOs while cueing and switching in real time
  • Record fifth channel of switched feel and display, resulting in mixed output live on set (via HDMI or SDI)
  • Switching is asynchronous and can be output with Atomos Connect 4K
Two XLR Inputs with Phantom Power
  • Full-size XLR connections with +48 phantom power
  • Connect two external microphones for balanced analog audio recording and monitoring
  • Dedicated meters, gain controls, and adjustments for frame delay on each channel
  • Mic or line-level audio can be synced with embedded HDMI and SDI audio
Powering the SE
  • Dual 4-pin XLR inputs for continuous dual-battery power
  • Includes BattWing mounting bracket for integration of V-mount or Gold mount battery 95Wh or larger
  • Includes AC power supply, 12-16.8 VDC input

 

Physical
Dimensions (W x H x D mm)
504mm x 310mm x 63m / 19,8" x 12,2" x 2,5"
 
Weight
6.2 kg / 13.7 lb
 
Mounting Points
Top: 4 x 1/4"20, 2 x 3/8″, Bottom: 6 x 1/4"20, 3 x 3/8″ Right: 4 x 1/4"20, 2 x 3/8″, Left: 2 x 1/4"20, 1 x 3/8″
 
VESA Mount
100 x 100
 
Environmental
Ambient Operating Temperature
Up to 40 Degrees Celsius
 
Construction
Cooling
Heat Sink + Actively controlled Fan
 
Tally Light
LED on the Front & Rear of the Device
 
Multi-Function Button
Power / Lock Screen
 
Touch Screen
Capacitive Touch
 
Power
Input voltage
DC 12V to 16.8V
 
Operating Power
75W
 
Compatible Batteries
95Wh+ V-Lock / Anton Bauer Gold Mount via XLR Terminal (Optional Mounting Plates available)
 
Battery Voltage
14.4V Nominal
 
Continuous Battery Power
Dual Battery Input via dedicated 4-Pin XLR
 
DC-In Connector
1 x 4-Pin XLR for included DC Power Supply
 
D-Tap
Via optional D-Tap to 4-Pin XLR Cable
 
Display
Display Panel
SuperAtom IPS Panel (Capacitive Touch)
 
Size
19″
 
Resolution
1920 x 1080
 
PPI
120
 
Bit Depth
10-Bit (8+2 FRC)
 
Backlight Type
Edge-Lit + Optically Bonded Quantum Dot
 
Brightness (cd/m²/ nits)
1200nit +/- 10%
 
Aspect Ratio
16:9
 
Color Gamut
DCI P3
 
Calibration Support
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
 
Color Pipeline
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
 
Gamut
BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
 
3D LUT Display
.Cube Format (17 & 33 points supported)
 
3D LUT Output
Loop out
 
3DLUT 50/50
Via Compare Option in LUTs Menu
 
Monitoring Modes
Native / 709 / HLG / PQ / 3D LUT
 
HDR Output Conversion
HLG / PQ
 
Color Management
Calibration
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
 
Display Controls
Backlight, Lift, Gamma, Gain
 
AtomHDR
Built-in Technical Log to HDR EOTF
 
3D LUTs
Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals
 
Legalize
Full to Legal Range Conversion available via Input Menu
 
Video Input
HDMI
1 x HDMI (2.0)
 
SDI
2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI
 
Bit Depth
8/10-Bit for Video / up to 12-Bit for RAW
 
Video Chroma Subsampling
YCbCr 4:2:0 & 4:2:2
 
HDR
HDMI Auto Detection
 
Metadata
SDI
File Name – Arri & RED. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut
 
File Naming
Standard
Scene/Shot/Take & Rolling Scene/Shot/Take
 
Via SDI
Auto-matched filenames from supported Arri & RED Cameras
 
Video Output
HDMI
1 x HDMI (2.0)
 
SDI Loop / Play Out
1 x 12G SDI
 
Video Chroma Subsampling
4:2:2
 
Bit Depth
10-Bit
 
HDR
HDMI Auto Detection
 
Video Signal Conversion
HDMI to SDI
Supported
 
SDI to HDMI
Supported
 
Audio In/Out
Audio Quality
24-Bit / 48kHz
 
Audio Codec
PCM
 
HDMI
8ch 24-Bit, Input dependent
 
SDI
12ch 24-Bit, Input dependent
 
Analog Audio In
2 x 3-Pin XLR(F)
 
Analog Audio Out
2 x 3-Pin XLR(M)
 
Speakers
2 x Built-In 5W Speakers
 
Headphone Out
3.5mm Jack
 
Timecode / Sync
HDMI Embedded
Supported
 
SDI Embedded
Supported
 
Time of Day
Supported
 
LTC
LTC via dedicated BNC Input (Record Mode only)
 
Genlock
Supported (Playback Mode only)
 
Resolution and Frame Rates (Record, Monitor & Playback)
6K RAW
up to 6Kp30 via SDI
 
4K RAW
up to 4Kp60 via SDI
 
2K RAW
up to 2Kp240 via SDI
 
4K DCI
up to 4Kp60
 
4K UHD
up to UHDp60
 
2K DCI 2048 x 1080
up to 2Kp60
 
FHD 1920 x 1080 Progressive
up to 1080p120
 
FHD 1920 x 1080 PsF
Only via Pulldown to Progressive
 
FHD 1920 x 1080 Interlaced
1080i50 / 1080i60
 
1280 x 720p
up to 720p60
 
Recording Codecs
CDNG
SDI RAW Inputs up to 4Kp30 only
 
Apple ProRes RAW
ProRes RAW & RAW HQ
 
Apple ProRes
HQ, 422, LT
 
Avid DNxHD
220x, 220, 145, 36 (.MOV Wrapper)
 
Avid DNxHR
HQX, HQ, SQ, LB (.MOV Wrapper)
 
Recording Funtctions
Pre-roll Recording
8s HD / 4s 4K – ProRes & DNx only
 
Timelapse
Supported
 
ISO Recording
4 x ISO up to 1080p60 (3G SDI Level A only)
 
Switched Program Record
Supported
 
Playback
Playlist
Selected Clips, Favorites, or Combined
 
Loop
Supported, with user-customizable In / Out Markers
 
CDNG
Not Supported
 
Apple ProRes Raw
Recorded clips only
 
Apple ProRes
HQ, 422, LT (Linear PCM Audio only)
 
Avid DNx
DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
 
Multi Input / Switching
Dual Input Display
via Multi ISO Input Mode
 
Multiple SDI Input
Up to 4 x 1080p60 (3G SDI Level A only)
 
Multiview Display
via Multi ISO Input Mode
 
Input Switching
Supported
 
Supported Media
Master Caddy I
Not Supported
 
Master Caddy II
Supported
 
Master Caddy III
Supported
 
SSDmini
Supported (AtomX SSDmini Handle required)
 
CFast 2.0
Not Supported
 
File System
exFAT
 
Interface
SATA 3.0
 
On-Screen Tools
Waveform
3 Sizes – Adjustable Opacity & Brightness
 
RGB parade
3 Sizes – Adjustable Opacity & Brightness
 
Vector Scope
2 Sizes – Adjustable Opacity & Brightness
 
1 x Zoom
Tap to Zoom
 
2 x Zoom
Tap to Zoom
 
Focus Peaking
3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity
 
Zebra
Adjustable Threshold (50% to 105%)
 
Isolate Color Channel
Blue only
 
Cine Frame Guides
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
 
Social Frame guides
9:16, 1:1, 1.91:1, 4:5
 
Safe Areas
SMPTE Safe Title Area – 93% & 90%
 
Grid Markers
9 grid
 
Anamorphic Desqueeze
2x, 1.8x, 1.5x, 1.33x, 1.25x
 
Display Flip
Vertical
 
Colorized Exposure
Atomos False Color
 
Onboard Signal Processing
4K UHD Downscale for HD
Available on loop out
 
DCI Crop
Available on loop out
 
6K RAW to 4K Video Loop Out
Available on loop out
 
Interlaced to Progressive
2:2 & 3:2 Pulldown
 
PsF to Progressive
2:2 & 3:2 Pulldown
 
Remote Control
HDMI
Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run)
 
SDI
Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run)
 
Serial 2.5mm Jack
Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable
 
Cut & Tag
FCP XML
Up to 10 Tags supported for each Clip & Multicam with Transitions in FCP XML
 
Supported Applications
XML
Apple Final Cut Pro (.fcpxml)
 
Apple ProRes RAW
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight
 
Video Codecs
All NLE applications that support Apple ProRes & Avid DNx in .MOV Wrapper
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