選別
Atomos SUMO19 SE Overview
With an upgraded 19" 1920 x 1080 IPS touchscreen display and 1200 cd/m² brightness, the Atomos Sumo 19" SE HDR Monitor, Recorder, and Switcher maintains the same 4K recording, monitoring, and switching capabilities of its predecessor with a sharper and brighter display. Four 12G-SDI inputs and one HDMI 2.0 input can receive video signals up to 4K60 and support live quad-channel switching. Five-channel recording captures the input feeds as well as the live switching to create one output video for efficient viewing. Genlock and LTC timecode are also supported by the HDMI 2.0 and quad-SDI connections.
Intuitive Interface
The Sumo 19" SE can record in ProRes RAW and 8-bit+FRC 422 ProRes/DNxHR encoding formats. RAW, Log, PQ, and HLG outputs from various cameras or gaming consoles can be processed by the device and mapped to display 10+ stops of dynamic range HDR in real time. This makes the Sumo 19" SE ideal for monitoring in the field by the director or client. Two XLR inputs with +48V phantom power support balanced audio recording with external devices. Included desktop feet, mounting supplies, and various power supply options allow you to easily integrate the Sumo 19" SE into your studio setup.
SE Upgrades and Features
- Upgraded 19" IPS display with 1200 cd/m² brightness (±10%)
- Live, quad-channel HD switching and recording
- Supports recording in ProRes RAW and 10-bit 422 ProRes/DNxHR
- HDMI 2.0 and quad-SDI support genlock and LTC timecode
- Works in HLG and PQ formats of HDR
Live Quad-Channel HD Switching and Recording
- Record four streams simultaneously as separate ISOs while cueing and switching in real time
- Record fifth channel of switched feel and display, resulting in mixed output live on set (via HDMI or SDI)
- Switching is asynchronous and can be output with Atomos Connect 4K
Two XLR Inputs with Phantom Power
- Full-size XLR connections with +48 phantom power
- Connect two external microphones for balanced analog audio recording and monitoring
- Dedicated meters, gain controls, and adjustments for frame delay on each channel
- Mic or line-level audio can be synced with embedded HDMI and SDI audio
Powering the SE
- Dual 4-pin XLR inputs for continuous dual-battery power
- Includes BattWing mounting bracket for integration of V-mount or Gold mount battery 95Wh or larger
- Includes AC power supply, 12-16.8 VDC input
Physical
Dimensions (W x H x D mm)
504mm x 310mm x 63m / 19,8" x 12,2" x 2,5"
Weight
6.2 kg / 13.7 lb
Mounting Points
Top: 4 x 1/4"20, 2 x 3/8″, Bottom: 6 x 1/4"20, 3 x 3/8″ Right: 4 x 1/4"20, 2 x 3/8″, Left: 2 x 1/4"20, 1 x 3/8″
VESA Mount
100 x 100
Environmental
Ambient Operating Temperature
Up to 40 Degrees Celsius
Construction
Cooling
Heat Sink + Actively controlled Fan
Tally Light
LED on the Front & Rear of the Device
Multi-Function Button
Power / Lock Screen
Touch Screen
Capacitive Touch
Power
Input voltage
DC 12V to 16.8V
Operating Power
75W
Compatible Batteries
95Wh+ V-Lock / Anton Bauer Gold Mount via XLR Terminal (Optional Mounting Plates available)
Battery Voltage
14.4V Nominal
Continuous Battery Power
Dual Battery Input via dedicated 4-Pin XLR
DC-In Connector
1 x 4-Pin XLR for included DC Power Supply
D-Tap
Via optional D-Tap to 4-Pin XLR Cable
Display
Display Panel
SuperAtom IPS Panel (Capacitive Touch)
Size
19″
Resolution
1920 x 1080
PPI
120
Bit Depth
10-Bit (8+2 FRC)
Backlight Type
Edge-Lit + Optically Bonded Quantum Dot
Brightness (cd/m²/ nits)
1200nit +/- 10%
Aspect Ratio
16:9
Color Gamut
DCI P3
Calibration Support
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Color Pipeline
Gamma
Sony SLog / SLog2 / SLog3, Canon CLog / CLog2 / Clog3, Arri Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 /LogCEI1000 / LogCEI1280 / LogCEI1600, Panasonic V-log, JVC JLog1, Red LogFilm / Log3G10 / Log3G12, FujiFilm F log, PQ (HDR10), HLG, Nikon N-Log
Gamut
BT2020, DCI P3, DCI P3+, DCI p3 65, Sony SGamut / SGamut3 / SGamut3.cine, Canon Cinema, Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC LS300, F-Gamut, Red DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
3D LUT Display
.Cube Format (17 & 33 points supported)
3D LUT Output
Loop out
3DLUT 50/50
Via Compare Option in LUTs Menu
Monitoring Modes
Native / 709 / HLG / PQ / 3D LUT
HDR Output Conversion
HLG / PQ
Color Management
Calibration
ATOMOS Calibrator with Calibrite ColorChecker Display Pro or ColorChecker Display Plus
Display Controls
Backlight, Lift, Gamma, Gain
AtomHDR
Built-in Technical Log to HDR EOTF
3D LUTs
Load .Cube files from SSD into 8 LUT Slots On-Device – Use for Monitoring, bake into Recordings (optional), or apply to HDMI / SDI Output Signals
Legalize
Full to Legal Range Conversion available via Input Menu
Video Input
HDMI
1 x HDMI (2.0)
SDI
2 x 12G SDI (6G/3G Backwards Compatible) + 2 x 3G SDI
Bit Depth
8/10-Bit for Video / up to 12-Bit for RAW
Video Chroma Subsampling
YCbCr 4:2:0 & 4:2:2
HDR
HDMI Auto Detection
Metadata
SDI
File Name – Arri & RED. RAW – White Balance, Exposure Index, Shutter Speed/Angle, Iris/F-Stop, ISO, Gamma, Gamut
File Naming
Standard
Scene/Shot/Take & Rolling Scene/Shot/Take
Via SDI
Auto-matched filenames from supported Arri & RED Cameras
Video Output
HDMI
1 x HDMI (2.0)
SDI Loop / Play Out
1 x 12G SDI
Video Chroma Subsampling
4:2:2
Bit Depth
10-Bit
HDR
HDMI Auto Detection
Video Signal Conversion
HDMI to SDI
Supported
SDI to HDMI
Supported
Audio In/Out
Audio Quality
24-Bit / 48kHz
Audio Codec
PCM
HDMI
8ch 24-Bit, Input dependent
SDI
12ch 24-Bit, Input dependent
Analog Audio In
2 x 3-Pin XLR(F)
Analog Audio Out
2 x 3-Pin XLR(M)
Speakers
2 x Built-In 5W Speakers
Headphone Out
3.5mm Jack
Timecode / Sync
HDMI Embedded
Supported
SDI Embedded
Supported
Time of Day
Supported
LTC
LTC via dedicated BNC Input (Record Mode only)
Genlock
Supported (Playback Mode only)
Resolution and Frame Rates (Record, Monitor & Playback)
6K RAW
up to 6Kp30 via SDI
4K RAW
up to 4Kp60 via SDI
2K RAW
up to 2Kp240 via SDI
4K DCI
up to 4Kp60
4K UHD
up to UHDp60
2K DCI 2048 x 1080
up to 2Kp60
FHD 1920 x 1080 Progressive
up to 1080p120
FHD 1920 x 1080 PsF
Only via Pulldown to Progressive
FHD 1920 x 1080 Interlaced
1080i50 / 1080i60
1280 x 720p
up to 720p60
Recording Codecs
CDNG
SDI RAW Inputs up to 4Kp30 only
Apple ProRes RAW
ProRes RAW & RAW HQ
Apple ProRes
HQ, 422, LT
Avid DNxHD
220x, 220, 145, 36 (.MOV Wrapper)
Avid DNxHR
HQX, HQ, SQ, LB (.MOV Wrapper)
Recording Funtctions
Pre-roll Recording
8s HD / 4s 4K – ProRes & DNx only
Timelapse
Supported
ISO Recording
4 x ISO up to 1080p60 (3G SDI Level A only)
Switched Program Record
Supported
Playback
Playlist
Selected Clips, Favorites, or Combined
Loop
Supported, with user-customizable In / Out Markers
CDNG
Not Supported
Apple ProRes Raw
Recorded clips only
Apple ProRes
HQ, 422, LT (Linear PCM Audio only)
Avid DNx
DNxHD: 220x, 220, 145, 36 – DNxHR HQX, HQ, SQ, LB (Linear PCM Audio only)
Multi Input / Switching
Dual Input Display
via Multi ISO Input Mode
Multiple SDI Input
Up to 4 x 1080p60 (3G SDI Level A only)
Multiview Display
via Multi ISO Input Mode
Input Switching
Supported
Supported Media
Master Caddy I
Not Supported
Master Caddy II
Supported
Master Caddy III
Supported
SSDmini
Supported (AtomX SSDmini Handle required)
CFast 2.0
Not Supported
File System
exFAT
Interface
SATA 3.0
On-Screen Tools
Waveform
3 Sizes – Adjustable Opacity & Brightness
RGB parade
3 Sizes – Adjustable Opacity & Brightness
Vector Scope
2 Sizes – Adjustable Opacity & Brightness
1 x Zoom
Tap to Zoom
2 x Zoom
Tap to Zoom
Focus Peaking
3 Modes (Color, Black & White, Outline) with adjustable Outline Color & Peaking Intensity
Zebra
Adjustable Threshold (50% to 105%)
Isolate Color Channel
Blue only
Cine Frame Guides
2.4:1, 2.35:1, 1.9:1, 1.85:1, 4:3
Social Frame guides
9:16, 1:1, 1.91:1, 4:5
Safe Areas
SMPTE Safe Title Area – 93% & 90%
Grid Markers
9 grid
Anamorphic Desqueeze
2x, 1.8x, 1.5x, 1.33x, 1.25x
Display Flip
Vertical
Colorized Exposure
Atomos False Color
Onboard Signal Processing
4K UHD Downscale for HD
Available on loop out
DCI Crop
Available on loop out
6K RAW to 4K Video Loop Out
Available on loop out
Interlaced to Progressive
2:2 & 3:2 Pulldown
PsF to Progressive
2:2 & 3:2 Pulldown
Remote Control
HDMI
Trigger Recording via Camera Record Button – Supported Protocols: Canon, Sony, Atomos Open Standard, Timecode (Rec Run)
SDI
Trigger Recording via Camera Record Button – Supported Protocols: Arri, Canon, Ikegami, JVC, Panasonic, RED, Sony, Timecode (Rec Run)
Serial 2.5mm Jack
Start & Stop Recording via compatible LANC Remotes – Calibration via optional USB to Serial Cable
Cut & Tag
FCP XML
Up to 10 Tags supported for each Clip & Multicam with Transitions in FCP XML
Supported Applications
XML
Apple Final Cut Pro (.fcpxml)
Apple ProRes RAW
Apple Final Cut Pro, Adobe Premiere, Avid Media Composer, Grass Valley Edius, ASSIMILATE SCRATCH, FilmLight Baselight
Video Codecs
All NLE applications that support Apple ProRes & Avid DNx in .MOV Wrapper
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